Upland Review

I developed a magazine with the idea of showcasing the annual activities and accomplishments of Blue Mountains Pheasants Forever, Chapter 258, through photo essay. I also included a couple additional hunting articles.

I retain the magazine as a separate publication from the Chapter with a plan of developing it into a free online magazine to showcase fledgling outdoor writers and the beauty of upland bird hunting.

Give it a read at Upland Review.

BMPF Sets Youth Circuit

Published 24 May 2018 in the Walla Walla Union Bulletin.

“Pull…” a shooter calls out, followed by a white clay launching from the trap, sailing to the left; a random, unexpected direction. The sleek over/under shotgun tracks smoothly until the bead connects, and upon recoil, dissolves the clay into a fine dust.

In support of the national Pheasants Forever No Child Left Indoors initiative, the local Blue Mountain Pheasants Forever (BMPF) chapter sponsors a youth shooting circuit each year beginning in June. The circuit consists of four monthly scheduled trap shoots introducing youth to wing shooting and firearms safety. Each trap shoot consists of five stations where the shooter is presented with five clay targets, thrown in random directions from a front and center automatic launcher. Youth are afforded the opportunity to learn proper stance and shooting technique, as well as how to lead a flying target.

The Family Challenge Trap Shoot rounds out the trap events and puts the skills learned in prior months to the test. Parent-child teams shoot together in a friendly competition among participating families. Small prizes, sweetened by modest bragging rights, are afforded the teams who bust the most clays.

Following the trap circuit, BMPF also sponsors two fall pheasant hunts that again test the skills learned from shooting trap. The BMPF supplies pheasants and designated venues for the youth hunting weekend in September, and again in November for a special family hunt. For the September youth hunt, participants are split into groups based on their experience levels, and everyone is afforded an opportunity at a rooster. For some participants, this event is their first hunting experience. It exposes children to the art of upland bird hunting with a well-trained pointing dog (courtesy of chapter members), and the irreplaceable adrenaline rush from the king of upland birds erupting under foot.

The Family Hunt is held the Saturday after Thanksgiving as a token of appreciation for the BMPF membership’s support of the chapter and youth program. This event serves as the culmination of the annual shooting events. Held at the Clyde Shooting Preserve, the Family Hunt provides youth and family members the opportunity to experience a unique, quality pheasant hunt provided at a professional establishment.

On a typical hunt, pheasant are planted, followed shortly by the release of the hunting dogs. Participants hunt their way through the designated fields, following up on the elegant and stylish canines on point. The most memorable moments of the hunt are made of a pointing dog at work, and the explosive flush of a dazzling rooster. Participating family members of all ages enjoy what some would call an epic morning afield.

All BMPF-sponsored youth events are open to anyone age eighteen and under, with the exception of the youth hunting weekend in September. The youth hunting weekend is designated by the Washington Department of Fish and Wildlife and requires hunters to be under the age of sixteen. Parents or adult mentors are asked to participate in events with their children. All events are free to participants, and all new youth participants are registered as BMPF members, courtesy of the chapter.

Youth event details are announced in advance through local events calendars, as well as at the BMPF website www.bmpf258.com. General chapter information is also available online, and the chapter may be contacted via email at bmpf@bmpf258.com.

 

Pheasant Hunting the Walla Walla Valley Uplands

Published in the Union Bulletin, September 23rd, 2018.

I sat alone in the gray calm of dawn, gazing contently across my food plot. A few wary whitetails snagged a snack on their morning commute. Steam curled up from a hot cup of coffee, tickling the hairs on my face and nose as I sipped in peace. It was early December. Not quite frigid, but the bunchgrasses were frosted and brittle.

My Llewellin setters, Finn and Yuba, and I hunted pheasant hard the prior six weeks and I needed a break. But the girls lay anxiously at my feet, keeping a keen eye on their orange vests and the cased shotgun by the door. They knew it was a hunting day. Any other morning we would be working roost cover along thick reed canary grass in the low swales, or working a creek side brush line at first light. But not today. This day would be different.

As the clock reported 8:30am, I decided to act like a dedicated bird hunter.  The girls had succumbed to pessimism, lying, groaning, sulking. But they cast a suspicious glance as I approached the door. A hand outstretched for my shotgun sparked utter bedlam.

Hunting reliable roost cover early in the day can be productive, but hunting pressure may call for adjustment to keep on the birds as the season progresses. Understanding pheasant behavior provides insight to changing tactics throughout the day, as well as across the season.

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Lowland swales, wetlands, and riparian areas provide prime pheasant roost habitat. When left to their own devices, pheasant rise in the morning and move out to feed soon after sunrise. Early in the season, birds may loaf in or near roost cover, but reacting to hunting pressure, birds will push out incredibly early, at times in the dark on public land. While pheasant may adjust their schedules to hunting pressure and weather patterns across the season, when and where to find them at any given time can be predicted with moderate certainty in the Walla Walla Valley.

Seeds and berries are common pheasant diet components in fall and winter. By mid-morning, birds are foraging on upland slopes and moving toward or into crop fields. Tall wheatgrass (an introduced Eurasian bunchgrass common to southeast Washington), wheat, canola, or other seed-producing crops offer forage throughout the season. Woods rose and blue elderberry provide dual function of food and cover when growing in dense patches. Birds may spend more time in this type of cover in the early morning, particularly in freezing conditions.

Pheasant spend a large part of the day working edge habitats such as the crop field/grassland interface common among farmland enrolled in the Conservation Reserve Program. Short wheat stubble lacks adequate cover from avian predators, so pheasant typically don’t roam far from secure refuge when browsing cut crop fields.  By late afternoon, birds grab a final snack before flying into roost, within about forty-five minutes of twilight.

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As 9:30am approached, the girls quivered with anticipation alongside my old Fox 16-gauge double, broken open across the tailgate. I released the girls and strode quickly through lowland, waist-high Canada thistle and reed canary grass in route to the uplands. A whistle-blast and hand signal turned the girls to the high ground. We worked into the wind up a long ridge spine toward a wheat field, paralleling a steep slope. Native needle-and-thread grass and bluebunch wheatgrass grew low and lush, hiding pheasant along the slope edge.

Having quickly lost sight of Yuba, I turned toward my last visual of her, but a familiar arrythmia pulsed in my chest as Finn locked up mid-stride. Going in for the flush, the hen held tight enough I nearly left her thinking the bird had escaped on foot. A stellar performance by Finn to kick off our late morning jaunt. Upon release, Finn sailed toward the slope, dropping out of sight. My pace quickened.

Approaching the edge, I spied Yuba standing staunch, tail high, with Finn cautiously backing. Hastily, I circled wide, approaching from the front to pin the bird between us. At ten feet out, Yuba’s penetrating gaze identified a thick round of bunchgrass three paces to my right. Turning to face the unseen bird triggered an eruption of parting bunchgrass with the onset of heavy wing beats. A splendid wild rooster gained altitude over a backdrop of rolling golden wheat and grassland.

My Fox came up smoothly, followed by the girls launching over the edge, their eyes fixed firmly on the prize. At approximately 10:00am, I softly slid our first rooster of a lazy morning into my vest, admiring his emerald green head, long, striped tail, and modest spurs.

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As the season progresses, get creative. Try new territory. Don’t be afraid to get a late start. Play on pheasant feeding behaviors; consider upland food sources over lowland coverts. Relax. Relish every point. Enjoy the hunt!

Hunting for Habitat

Pheasants Forever hosts their first hunt test fundraiser to bolster habitat and youth shooting funds. Published in the Waitsburg Times, February 14th, 2019.

14 Feb 2019 Hunting for Habitat

Propagating an Outdoor Heritage

Published July 26th, 2019 in the Milton-Freewater Valley Herald

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What do native habitat restoration, clay targets and the youth of our local communities have in common? Pheasants Forever. And the future of native habitat conservation and outdoor recreation at the hands of our future leaders advocating for all of these.

Habitat enhancement and youth involvement in the outdoors are the two primary focuses and programs for Walla Walla’s Pheasants Forever chapter, Blue Mountain Pheasants Forever (Chapter). The Chapter continues to maintain their staple projects to include an 88-acre grassland restoration site near Touchet, WA, and a shrub-steppe restoration site just north of Walla Walla on Highway 125, where native shrubs and wildlife watering stations referred to as “guzzlers” were installed.

Over the years, the Chapter has planted hundreds of acres in native grass and shrubs to the benefit of the wildlife and communities within and surrounding Walla Walla. Looking ahead, the Chapter continually seeks new habitat enhancement opportunities to include the Milton-Freewater area.

Presently, with the future of our hunting heritage and wildlife habitat riding largely on the shoulders of a demographic no younger than age 40, youth involvement in the outdoors has never been more critical. Therefore, Pheasants Forever’s No Child Left Indoors initiative was established to address the dwindling youth interest in and introduction to the outdoors.

Serving the No Child Left Indoors initiative, investing in and encouraging youth to embrace outdoor recreation and kindle a passion for our nation’s public lands, outdoor opportunities and habitat conservation is integral to the Chapter’s Youth Committee.

 The Chapter’s annual youth program consists of sponsoring four trap-shooting events, a youth pheasant hunt in September, and a family hunt in November after Thanksgiving. Chapter sponsorship includes a Pheasants Forever youth membership (for new members), hearing protection, firearms safety and handling guidance, clay targets, shotgun shells and coaching (if desired), all free of charge for youth participants, age 18 and under.

July is in the thick of the Chapter’s youth trap circuit, and East End Rod and Gun Club in Milton-Freewater hosted the second shoot of the season on Saturday, July 20th. Youth attendance was sparse this particular morning, but eleven-year-old Sarah Shutters of Dayton, WA, a first-time trap shooter, stepped up to the stand wielding a beautiful 20-gauge Winchester 1400 autoloader that her dad, Marvin, customized to fit.

A dark ponytail poked through the back of a black Remington cap as Sarah stood confident behind the clay launcher. Peering up through dark aviator sunglasses, she accepted rapid-fire coaching from Chapter member, Dean Wass.

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“Keep your head down. Keep the butt tight against your shoulder. Keep your face tight to the stock and sight straight down the barrel. Track the clay with the bead and squeeze the trigger.”

The Winchester reported while an unbroken clay sailed off into the field, busting as it touched down in the dry summer soil.

“Okay, you shot a little high. Again, keep your face tight against the stock. Lean into the gun. Shift your weight to your left [front] leg. Don’t shoot so fast. You have time. Your shot pattern is only about a foot wide where that clay was at the time you shot.”

Sarah nodded affirmative, shouldered her Winchester and called for her clay. “PULL!”

Seated behind her, I watched as Sarah mastered the challenge. The launcher clanked, sending the clay into motion, and with perfect posture, she quickly acquired the target. The Winchester barrel smoothly tracked the flight path. I could almost smell the clay dust before Sarah touched trigger. And to no surprise, the recoil of the gun resulted in full contact with a clay that burst like fireworks on Independence Day. Celebratory grunts erupted from the peanut gallery.

Sarah adjusted her sunglasses and reloaded. No sweat. Business as usual. Meanwhile, Marvin observed with pride as Sarah repeated the performance, busting more clays than her ol’ man on her pioneer attempt.

The Chapter is proud to welcome returning and new youth participants like Sarah, and is committed to providing positive experiences with shooting sports and conservation. No prior experience or opportunity required.

As outdoors enthusiasts and conservationists, it’s our responsibility to share our passions and recruit the next generation to carry the torch. Navigating environmental and political hurdles to perpetuate the integrity of our nation’s natural resources and rich outdoor heritage requires the kind of commitment that only passion can fuel, and getting youth outdoors is where it all begins.

Late-Season Roosters

Published in the East Oregonian, January 18th, 2020. 

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Let’s face it. Whether satisfying a hard-charging, time-consuming passion or taking afield as a weekend warrior, hunting hard can wear you down. And, Heaven forbid, at some point you may even want to take a break. From my perspective, I don’t necessarily want a day off. But the pre-dawn wakeup calls get old in a hurry once the temperature dips below freezing. This is where pheasant and I have something in common.

A general theme among pheasant hunters is to bust thick roosting and refuge cover all season long. This is a solid, proven tactic. However, the terrain and expanse of wheat in our area can narrow covers and funnel the wind, setting up a repeated, ideal scenting approach, worn out by the hunter/canine duo.

Rooster pheasant are some of the sharpest game birds out there, sporting incredibly fleet feet. They wise up quickly, particularly to repetition. And by the end of the first month of the upland season, finding roosters willing to hold for a pointing dog is like telling your buddy with a straight face that his Griffon is “stylish” as it backs your setter. Not happening! (Relax, I am only kidding.)

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Understanding pheasant behavior provides insight to changing tactics throughout the day, as well as across the season. Pheasant spend a large part of their day working edge habitats such as the crop field/grassland interface common among our rolling ag-lands. It’s true that severe cold will force birds to seek heavy refuge cover and stay in it or near it much of the day. On average winter days, bird may sit longer in the morning before leaving cover, but they will lazily leave and move upslope to feed and loaf in the sun in often overlooked covers. And the bonus goes to the uplander who capitalizes on this behavior, enjoying a later, more relaxed morning before heading afield.

Late-season roosters are bound to flush further ahead and out of gun range relative to early-season. The majority of the birds will vacate public land when pushed, but a handful are likely to drop back into the refuge cover and sit tight or disperse to predictable pockets. If the roost cover is what you and your dog work best, go ahead and hit it early, but consider this: There may be another approach angle conducive to pushing fleeing birds into strategic locations for a second contact.

The experience of flushing a quail covey and hunting singles sprinkled across the prairie can translate to pheasant, particularly when flocked up at the tail end of the season. I have found this productive with flocks generally of more than a dozen birds.

Another strategy is to hunt with partners and additional dogs. I spend the majority of my season alone with one or two setters on the ground at once, which puts me at a disadvantage over those who hunt with friends or run flushing dogs in the thick stuff. First, identify any likely escape routes and try to cut them off. Also, narrow points that you can spread across and push birds into are likely to hold birds longer as some will be reluctant to flush into open areas like an expanse of planted wheat field.

Vary your path through cover. If I had a nickel for every rooster that ran around the dog and flushed behind me, I might have five bucks by now (you can do the math). Walking a predictable path allows a wily rooster an easy escape. By varying your path, you are more likely to encounter that escape artist trying to pull the end-around on you, forcing a flush out front, opposed to over the shoulder; a much higher-percentage opportunity. The only downside? There are no [legitimate] excuses for a miss out front.

Alright, we’ve covered the coverts. Let’s consider a few other points. How often do you hunt quietly? Pheasant will flush at the sound of a distant car door or voices when heavily pressured. Leave the whistles and beeper collars in the truck. Speak only when necessary and use soft voices. This sounds a little silly and extreme, but is a must if you hunt public land or public access.

I use a whistle and run my setters in vests. I have seen roosters flush hundreds of yards ahead at the blast of a whistle or the sound of brush against the vest as the dogs close in. I avoid all unnecessary auditory communication with my dogs by mid-November, relying heavily on visual cues to direct them, even when they want to run big.

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Now, what are you shooting? I have been a 16-guage fan for years, but finally broke down and bought a CZ Bobwhite G2, chambered 20-gauge. Loaded with 3-inch magnum Kent steel 4-shot, this little gem has secured more pheasant this year than I have ever touched in my upland career. While some claim that the 20-gauge is best swapped for a 12-gauge magnum load when hunting extreme cold, I have no intention of switching out for late season. With that said, I do agree that magnum loads are a must, as well as larger gauges if you consistently shoot lighter loads, as extreme cold can rob power from the powder charge.

Another consideration is choke, and I do recommend choking up with colder weather and the potential for pheasant to flush further out. Remember that steel patterns tighter than lead. This means that when changing out choke tubes (if you have this luxury), swap to “improved cylinder” if you want to shoot a “modified” pattern, for example. For a double gun, I recommend “improved cylinder” and “modified” chokes for steel shot and “modified” and “full” for lead shot.

As the season progresses, get creative. Try new territory. Don’t be afraid to get a late start. Play on pheasant feeding behaviors considering upland food sources over lowland coverts. The pheasant season ends December 31st in eastern Oregon, but the eastern Washington season runs through January 20th this year (two days left). You can pick up a 3-day non-resident small game license for $68 and there is plenty of “Feel-Free-to-Hunt” land within an hour of Walla Walla.

Regardless of how you play the game, bask in the moment of every hunt. Our passion is stoked by the time afield, the work of the dog, the feel of that coveted scatter gun, cold in our hands, and the distant cackle of a rooster making a fool of all who pursue him. Tail feathers protruding from the vest, while hard earned and respected, is mere icing on the cake.

Phantom of the Uplands

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I must admit I am my mother’s son, and apparently that of her mother as well. Both enjoy collecting beautiful things to display, as well as practical materials that may be of use at some unknown (and inexplicable) point in time. I am not a collector, per se, but I am guilty of keeping things like useless wood scraps and old nails and bolts. And I just can’t bring myself to discard antlers, handsome game hides or upland bird plumage.

Art is a recurring theme among my tales and reflections of venturing into our natural world. Whether wielding a fly-rod or chasing my setters across the autumn bunchgrass, the poetry of interaction with our ecosystem, and the brilliance of the autumn canvas, upland bird plumage and the rich colors of high mountain trout always provide fodder for my pen. I find the beauty in these things so significant that I feel responsible for somehow preserving the memories of fin and feather through practical application and admiration.

 While I enjoy crafting varied upland bird displays and shadow boxes to perpetually capture experiences, a friend of mine takes the artistic side of the uplands to a new level.

I met Janet Marshman during my graduate school days at James Madison University’s Edith J. Carrier Arboretum. I was a staff arborist and Janet arrived as a welcome volunteer. And it wasn’t long before her talents turned up in our visitor center.

Channeling her creative side, Janet decided once upon a time to make a drama-style mask as a birthday present for her sister-in-law, an art teacher. Clearly impressed, she encouraged Janet to sell her masks. Running with the idea, Janet sold her first lot to an art gallery in Charlottesville, Virginia. That was 1983.

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Upon learning of my hunting and fishing hobbies, Janet asked if I had anything furred or feathered that I could part with. And, given my tendency to hang on to such items, I returned with a variety of material from whitetail and mountain goat hide to eastern fox squirrel tails and thought nothing more of it. Until the day Janet presented me with a shadow box containing a mask made largely of moose hide, tree bark, shelf fungi and lichens. Its natural beauty was so striking, the shadow box was one of the few “natural displays” that made the living room wall after I got married.

When asked why she appreciates natural items like fungi, Janet replied “There is so much beauty in natural materials.”

Fungi and lichens are among the common “fauna” I have noticed in Janet’s masks over the years. But what draws her to these materials so readily?

“I love fungi, lichens, moss, and textures of bark. The colors are often muted and blend well with colors of feathers, but provide variation in texture to the mask.”

While Janet’s affinity to use natural materials has always spoken to me, her tastes and innovation dive far deeper and include mechanical and electronic items like sprockets, wires and mother boards, even digital camera parts used for her husband, Frank, who once owned a camera repair service. Abstract, eclectic, organic.

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She never took it full-time, but has sold at shows across the eastern U.S. from New Orleans to Philadelphia, and regularly donates to charitable causes. Interestingly, somewhere in there she took a 20-year hiatus to raise her family. An experience that she claims brought her “…visual maturity and creativity into bloom” and contributed to the depth and intricacy of her later pieces.

Janet has collaborated costume design with the James Madison University dance theater. Her masks have been on display in various galleries and restaurants, as well as the Hirshhorn Museum in Washington D.C. She has even won a Halloween contest or two. But she doesn’t stop there, keeping her fingers in photography, sculpture and mixed-media.

“I believe a true artist continues to grow in their art and see things differently. I don’t believe in finding a niche and staying there.” Janet says.

This past winter I sent Janet a few pheasant capes, only to unexpectedly have them partially returned in March, stunningly crafted in dramatic whimsy. Her use of lichens, rooster tail and body feathers, corn husks, dried brome, and river birch bark delivered multiple complex layers of the environment in such a way to compliment themselves to their utmost potential.

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Clearly, I feel a bond with Janet’s masks; her tie of my passions to true artistic talent and conception. She captures my eternal desire to immortalize the memory of those who have blessed my home and table.

Additionally, Janet’s creativity exemplifies the beauty and elegance of our natural world, cast in the glow of perfect complement between flora and fauna. Her masks emphasize the intrinsic value of the natural world to human existence and emotion, portrayed through the eyes of an esteemed artist and her theatrical design.